Indrajit bose biography of william shakespeare

Recaredo Silebo Boturu

Recaredo Silebo Boturu (b. Baresó, 1979) is a poet, playwright, narrator, essayist, actor, and theater director from Equatorial Guinea. His writings expound on social issues while salvaging and rearticulating oral traditions. Author of the short story La danza de la abuela (2011;The grandmother’s dance), he is best known for his book of poetry and drama, Luz en la noche (2010;Light in the night). Presently, he is finishing a second book, Soliloquio (Soliloquy). Boturu’s work is at the heart of the theatrical activity in his country. He directs the theater company Bocamandja, which has performed in Spain and Colombia. In addition to working closely with other theater companies in Malabo and Bata, he is a key member of Orígenes, a Spanish-Guinean independent theatrical association that seeks to establish a national theater company in Equatorial Guinea.

APTER FO
OUR

SIRCA
AR’S PL
LAYS OF
F EARL
LY YEAR
RS 1956
6-1970

4 Introduction:
4.1.
Previoous chapter has dealt with
w the dev
velopment off Bengali Theatre with a
sp
pecial refereence to the Jatra and B
Badal Sircar’s experimenntation not only
o with thhe
T
Third Theatree’s structure and techniqques but alsoo with the theemes, and thhe structure of
o
thhe plays. He has appplied manny techniquues like pparticipatoryy and direct
coommunicatioon, emphasiis on humann body, imprrovisation, rreduced distance betweeen
thhe performerrs and the audience, redduced use off props, costtumes, makee-up, open-aair
performancess, and collagge to the Thiird Theatre. Hence, it beecomes flexiible, portablle,
annd inexpensiive.
This chapter
c discuusses in detaail Sircar’s plays
p of earlly phase i. e 1956-19700s.
B
Badal Sircar, greatly inflluenced by M
Marxism, prresented life as it is with
hout trying to
t
m
moralize or philosophizze it in anyy way. Thee plays focuus on man with all his
h
coomplexities. His plays reepresent nott only the soccial problem
m but also an
n aspect of ouur
so
ocio-politicaal and cultural life mostly on psychoological level. His plays dealt with thhe
pointlessness of existennce, compoounded by a sense oof associativve guil

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