Hans peter feldmann biography template
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Hans-Peter Feldmann (1941–2023)
German Conceptual artist Hans-Peter Feldmann, known for his works in which everyday images and objects are repeated, often to humorous effect, died May 24 at the age of eighty-two. In works variously comprising artist’s books, posters, and multiples, Feldmann, a compulsive collector, recontextualized his subjects in a manner that presaged the appropriation art of the 1980s. Though his methods appeared simple, the results were anything but. On winning the Solomon R. Guggenheim’s $100,000 Hugo Boss Prize, for example, an honor typically attended by a solo exhibition at the New York institution, Feldmann decided to display the cash itself, rather than any conventional artwork. “One hundred thousand used one-dollar bills completely covered the gallery walls in neat, overlapping rows,” wrote Matthew Higgs in a 2011 issue of Artforum. “What could have come across as an overly literal, even pedantic gesture turned out to be an unexpectedly melancholic and aesthetically seductive experience.”
Hans-Peter Feldmann was born on January 17, 1941, in Düsseldorf. Having gained an interest in art that he chalked up to the “boredom” of post–World War II life in Germany, he studied painting at the
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Hans-Peter Feldmann
"If there‘s one thing I know how to do, it‘s look.” Hans-Peter Feldmann
Amazement, agreement, outrage, lack of understanding, euphoria and joy – Hans-Peter Feldmann’s images of everyday life provoke strong reactions. How can modest, banal photographs of women‘s clothing, car radios, refrigerators, strawberries, sunsets, bathing beauties or newspaper titles develop such strong effectualness? Hans-Peter Feldmann helps himself to the unlimited pool of public images and shows us what images really are through artistic interventions, new arrangements and charming appropriation: media exponents of visualized memories, associations and desires. He confronts the viewer with their own pictorial world and perception and avoids any kind of categorization and assigning of meaning with his artwork. That‘s because a meaning only emerges – if at all – through the interpretation of the viewer. And that can turn out to be extremely controversial depending on individual experiences, conventions and expectations.
For Hans-Peter Feldmann, images are pure projection surfaces and as a result cannot be owned by anyone. They are democratic cultural heritage. In addition to his own photographs, he works with found material of an amateur, professional, private or public n
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Hans-Peter Feldmann
German principal (1941–2023)
Hans-Peter Feldmann (17 Jan 1941 – 24 Can 2023) was a Teutonic visual organizer. Feldmann's manner of speaking to art-making was acquaintance of collection, ordering, prosperous re-presenting.
Biography
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Feldmann died flood 24 Could 2023, daring act the adjunct of 82.[3]
Work
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