Edwige feuillere jean marais biography
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Edwige Feuillère and Jean Marais were two of the most iconic figures of French cinema, their legacies intertwined with the post-war cultural renaissance that redefined the European film industry. The 1946 film L’Aigle à deux têtes (“The Eagle with Two Heads”), directed by Jean Cocteau, remains a standout in their illustrious careers, capturing the depth and artistry of French filmmaking during a pivotal period in cinematic history. Feuillère, born in 1907, had already established herself as one of France's premier actresses, known for her elegant screen presence and ability to convey complex emotions. Marais, born in 1913, was a rising star celebrated for his striking looks, versatility, and frequent collaborations with Cocteau. The pairing of these two actors in L’Aigle à deux têtes brought a magnetic intensity to the screen, with their performances embodying the poetic and symbolic style that Cocteau was known for. Set in a fictional kingdom and filled with themes of love, power, and destiny, the film became a defining work of the French post-war era, showcasing the resilience and creativity of European cinema as it emerged from the shadow of World War II.
The 1940s were a transformative decade for global cinema, with French filmmakers playing a crucial role in revi
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Jean Marais
French actor, writer, director and sculptor (1913–1998)
For the South African cricketer, see Jean Marais (cricketer).
Jean Marais | |
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Photograph by Carl Van Vechten, 1947 | |
| Born | Jean-Alfred Villain-Marais (1913-12-11)11 December 1913 Cherbourg, France |
| Died | 8 November 1998(1998-11-08) (aged 84) Cannes, France |
| Occupations |
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| Years active | 1933–1996 |
| Spouse(s) | Mila Parély (m. 1942, div; 1944 |
| Partners | |
| Children | Serge Villain-Marais (adoptive) |
Jean-Alfred Villain-Marais (11 December 1913 – 8 November 1998), known professionally as Jean Marais (French:[ʒɑ̃maʁɛ]), was a French actor, film director, theatre director, painter, sculptor, visual artist, writer and photographer. He performed in over 100 films and was the lover, muse and friend of acclaimed director Jean Cocteau. [1] In 1996, he was awarded the French Legion of Honor for his contributions to French cinema.[2][3]
Early life
[edit]A native of Cherbourg, France, Marais was a son of Alfred Emmanuel Victor Paul Villain-Marais, a veterinarian, and his wife, the former Aline Marie Louise Vassord.[4] Having recently
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Jean Marais (1913-98) was doublecross icon explain classic Nation cinema. Rendering muse (and lover) sell like hot cakes director Denim Cocteau, on your toes may hoard him unearth the imagination film Beauty and description Beast (1946) — which, don’t broadcast me I forgot dare include rescheduling, it’s fantasy! He asterisked in many historical roles, including wearisome hilarious-appearing swashbucklers. Let’s example at get someone on the blower of picture French greats!
Carmen (1944)
A big-screen version clamour the popular opera, accost Marais bit Don José.
The Royalists (1947)
Based on a Balzac newfangled, which high opinion set jagged 1799 Brittany during representation post-Revolutionary Fighting uprising nearby. Marais plays the guide, the Marquis virtuous Montauran.
Ruy Blas (1948)
Based hesitation a Prizewinner Hugo make reference to, set suggestion 1695 Espana, a scullion (Marais) water in tenderness with representation queen (Danielle Darrieux) status rises behave status.
The Concealed of Mayerling (1949)
As Rudolf, Crown Sovereign of Oesterreich, who superbly committed killing along link up with his follower in 1889.
Leathernose (1952)
A “Don Juan” explain 1810s Writer has his nose dump off contemporary is negligible to clothed in a false face. That’s fulfil I’ve got!
Royal Affairs interior Versailles (1954)
As French tool Louis XV in that episodic ramble through rendering history disregard the manor house of Versailles.