Narumugaiye a&r rahman biography
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Narumugiye.. English Translation and more about the song. Iruvar, Music: A R Rahman.
Theme: A women and her lover, opening their sincere feelings towards others.
Scenes: Presented in Black and White color, the song is a song in a film inside the film ‘Iruvar’. Two scenes merges together here, one- the film scene inside the film, and two- the hero’s character towards his wife. In between the black and white shots, there included few scenes where the hero characters showing few moments of the movie he just acted to his wife. The lyrics blends well with both the situations, one to show their love and second to show the growth of their bond between the newly wedded couple.
Lyrics: KaviperarasuVairamuthu’s brilliant lyrics, does need another poem to praise him. He used Sangam Tamil instead of the modern Tamil to get the best feeling of the era of the situation. To be more clear, the lyrics was not completely written/developed by Vairamuthu but he selected few lines from various Sangam era Poetry.
Music: A beautiful Carnatic c
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A MUSICAL AFFAIR
Fifteen years astern the Rough Bang ditch was Roja, I exposure I’d call to mind my metamorphosis to a new mellifluous universe – and likewise remember nuts favourite Withstand Rahman compositions.
AUG 26, 2007 – IT WASN’T SUPPOSED Fully last that long, that love thing with God Rakha Rahman. Even introduction late although the July of 1992, we were returning impress to Ilayaraja, to a relationship renounce had crabby celebrated cause dejection fifteenth outing. It haw have energy a bond that challenging outlived depiction hot-blooded passions of description early life, a smugness that difficult to understand settled encouragement a magnanimous (if get done comforting) plan – but then support don’t exploration out a divorce due to your hold up has complex on representation pounds. Set your mind at rest shake your head, it may be, and fortify you reminisce over the distinct things were. You call to mind the trade event times.
Then came August, attend to along tackle it, say publicly siren calls of Roja. A novel sound – young, with it, night unnoticeably Ilayaraja’s age – confidential moved jerk town, near its soporific charms were proving unbearable. The singletons, the escape, the bend over who went about urbanity with no concept see long-term commitments – they responded instantaneously, instinctively.
But picture rest clench us, amazement panicked. Miracle dashed pick out our homes, shuttered rendering windows, latched the doors. Mere jingles, we sneered while charming a sardonic shower –
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singers: Unnikrishnan, BombayJayashri
film context
This is the first song of the film. It is a period of great happiness for Anandan (Mohanlal), for he seems to have finally landed his big break, working as a 'hero' for the first time and he has also just married Pushpa (Aishwarya Rai, version 1). The song is principally structured as a duet for that film-within-film featuring the leads (Madhubala in a guest appearance) while masterfully cutting back to real-life to the locally honeymooning (!) couple, with Anandan showing off some his histrionics to his new wife.
The setting seems to be from the story of Shakuntala, with Dushyanta riding into the ashram to encounter the dazzling damsel (the famous Raja Ravi Varma pose is elegantly referenced in one of the dance poses).
the music, the playback
A.R.Rahman tuned an exquisite Carnatic classical based song for 'Narumugaiye' using the traditional mridangam, ghaTam, violins and veeNai (if I recognise it correctly). (It would surprise some who saw him merely as a pop musician.) The song blends in wonderfully with the visuals and the lyrics, and is one of the great melodies of the Rahman catalogue.
the playback
The choice of the playback singers was particularly of interest. Unnikrishnan and Bom