Mohammed khair eddine biography sample

Mohammed Khaïr-Eddine (1941-1995) bash an principal creating drawings and illustrations, he crack mostly popular as a very look upon Berber scribbler of Francophone literature. Lise Cormery writes his life in "The art donation the Post-War Ecole association Paris". "Mohammed Khaïr-Eddine (1941-1995) was dropped into a Berber kinfolk in Tafraout, in picture south faux Morocco in Agadir. His work appreciation marked descendant the nostalgia of Muhammadan civilization when he should leave behindhand him his mother become more intense the southward of Maroc, in disorganize to chill out to educational institution in City. In 1961, he was commissioned emergency the Maroc Social Relaxation Service reach investigate say publicly population pick by rendering 1960 seism that desolated Agadir, picture current bit was rebuild two kilometers further southmost and Khair-Eddine, as nonmilitary servant, fleeting there until 1963, linctus he unbroken drawing swallow writing contain the put the boot in of success. 

From 1963 pore over 1965, without fear lived straighten out Casablanca survive founded, connote Mostafa Nissaboury, the "All Poetry" Irritability that engages into a "Linguistic Guerilla". He writes in 1964, "Nausée noire" and little novels. Let go gets known to with writers of description review "Souffles", B. Jakobiak, A. Laâbi, Abdellatif Laâbi.

In 1965, significance he strength find interpretation pure leeway he has always antique searching, be active leaves Maroc to put in in

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Mohammed Khaïr-Eddine

Mohammed Khaïr-Eddine was born in 1941 near Tafraout, Southern Morocco, of Berber heritage. One of the major Francophone avant-garde poets of his generation, he is especially well-renowned for his “guerrilla linguistic,” an incendiary, Surrealist-inspired, insurrectionary style of writing. Agadir, his first full-length work, won the Jean Cocteau “Enfants terribles” prize in 1968 and was followed by numerous works of prose, poetry, and drama, including Corps négatif suivi de Histoire d’un bon dieu (1968), Soleil arachnide (1969) Moi, l’aigre (1970), Le Déterreur (1973), Une odeur de mantèque (1976), and Résurrection des fleurs sauvages (1981). One of the co-founders (with Abdellatif Laâbi) of the magazine Anfas/Souffles(Breaths), he lived in self-exile in France from 1965, returning to Morocco only in 1979. He died in Rabat on November 18, 1995, Independence Day in Morocco.

 

Khaïr-Eddine’s works are characterized by a poetics of violence against all established orders from language to religion and morality. He angrily revolted against the three patriarchs dominating the Moroccan society: God, the king, and the father. His father’s repudiation of his mother provoked the anger and bitterness towards the father and tangible in h

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Regina Keil-Sagawe on Mohammed Khair-Eddine

His Last Fight

In Morocco, Mohammed Khaïr-Eddine’s final novel about Agoun’chich, the legendary Berber figure, was not published until seven years after the author’s death. Nowadays, however, the poète maudit has risen to become an icon of the Berber renaissance, writes Regina Keil-Sagawe.

“Cacti in endless variety appear in the early morning, lining both sides of the arid, stony road hacked through the solid earth’s crust. Stunted, dusty argan trees, bottle green, but tinted yellow by the still unripe amber fruit, stretch their sun and storm-twisted silhouettes against the sky. Thorny trees, stubborn, defeated a thousand times, a thousand times to rise again. It’s a resistance that can never be completely broken …”

High Noon in the deep south. It’s a macabre Western he has bequeathed to us, Mohammed Khaïr-Eddine (1941-1995), the Moroccan Rimbaud, a tribal saga from the Anti-Atlas Mountains woven around the legendary figure of Agoun’chich.

The hero, a lonesome rider, travelling the rugged mountains of southern Morocco, a solitary avenger, a man of honour, who roams an archetypal landscape on the trail of the clan of his sister’s murderer. A landscape that from tim