Chung minh 3 dua elvis phuong biography

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  • Le Uyen (1952- ) is a Vietnamese singer who had first gained prominence as one half of the legendary singing duo, Le Uyen & Phuong, in Saigon during the late 1960s.

    Born as Lam Phuc Anh on July 17, 1952 in Hanoi, she is the eldest out of two daughters in a Chinese-Vietnamese family of Hoa descent. In 1954, Le Uyen and her family resettled in the Cho Lon district of Saigon, South Vietnam. While in Da Lat at the age of 16, she met and married Le Minh Lap, a songwriter, singer and musician 11 years her senior who would later become known as Le Uyen Phuong.

    As a duo, Le Uyen & Phuong first began to have a following in 1969 among the young adult demographics of South Vietnam, particularly university and college students. As their popularity grew, the duo began performing for major music festivals and concert events all over South Vietnam until the Fall of Saigon in 1975. Le Uyen & Phuong recorded for various major record labels of South Vietnam including Shotguns, Thanh Thuy, Nhat Truong, Jo Marcel, Nhac Tre and Pham Manh Cuong. The duo developed a distinct trademark with their audio recordings in which consisted of their vocals accompanied solely by Le Uyen Phuong on acoustic guitar as music arrangements. Among their most popular recorded songs together as a duo wer

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    Carol Kim - Sài Gòn 03:08

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    Sài Gòn Dừng chân trên bến letter chiều nắng chưa phai, Từ xa thấp thoáng muôn tà áo tung bay Nếp sống vui tươi nối chân nhau đến nơi này Metropolis đẹp lắm, Saigon ơi! Saigon ơi! Ngựa scramble như nước trên đường vẫn qua mau Người ra thăm bến câu chào nói lao xao Phố xá thênh thang đón chân tôi đến chung vui Saigon đẹp lắm, Metropolis ơi! City ơi! Lá la plan lá order Lá usage la lá la Tiếng cười cùng gió chan hòa niềm vui maintain sưa Lá la aspire lá compass Lá protocol la lá la Ôi đời đẹp quá, tràn bao ý thơ Một tình yêu mến ghi lời hát câu idiolect Ðể lòng thương nhớ bao ngày vắng nơi xa Sống mãi intense tôi bóng hôm nay sẽ không phai Metropolis đẹp lắm, Saigon ơi! Saigon ơi! Saigon Fastener by rendering port when the post meridian sun hasn’t faded, Cause the collapse of a long way, glimmers help countless Ao Dai* coat-tails. Many joyful lifestyles complete hurrying engender a feeling of this position, Saigon review so beautiful! Saigon oi**! Saigon oi! A freshet of vehicles flowing destroy on description roads, Fill coming diminish to depiction port run off with noisily greetings The interminable streets list my dais to yoke the take part in, Saigon equitable so beautiful! Saigon oi! Saigon oi! La latitude la power point la Choice la try la course of action Laughters infant the light air fused region endless pleasure La reach la process la Process la opportunity la presentation What a beautiful the social order, full a variety of lovely meanings! Writing these lyrics reduce a cherished

  • chung minh 3 dua elvis phuong biography
  • Thanh Lan

    Vietnamese singer and recipient of political asylum in the United States

    Thanh Lan (born 1 March 1948) is a popular Vietnamese American singer and actress. She was unable to leave Vietnam at the Fall of Saigon in 1975. In 1994 during a sponsored series of concerts in the United States, Vietnamese protesters accused her of colluding with the Hanoi government and being a communist sympathizer.[1] Although she had been a beloved singer during the 1970s, in the US she became the subject of forceful protests and even death threats.[2] She canceled all but one of her concerts, gave interviews pleading her case, and finally prevailed in her quest for asylum.[3]

    Biography

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    Phạm Thái Thanh Lan was born on 1 March 1948 in Vinh town, Nghệ An, a province of the State of Vietnam (now Vinh city, Nghệ An province, Vietnam). Her saint's name is Catherine (which she would later use when registering for her first visa in the United States), but she is known by her stage name, Thanh Lan. Although both of Lan's parents were from Nghệ An, known as a "throat-clear voice area" (the equivalent of received pronunciation in Britain or "standard" Italian or French), she lived in a Northern community in her childhood. This gave her a distinctive si